Our mentors can give you feedback in all three areas on a weekly basis during the program. They might offer a new perspective on your song based on your intentions, or give you honest feedback about where a piece falls short based on the expectations of the field, if that’s part of your goal. This can help you hone in on where to focus your efforts to make the most progress.
I started to experiment with some of the horn samples in the pack and, though I didn’t end up using any, they gave me the idea to feature a trumpet player. I immediately thought of my friend and frequent collaborator, Jake Baldwin. I met Jake in Boston in 2010 while I was at Berklee and he was down the street studying at NEC. We started making music together right away in our New York-based hip-hop collective, Tiger Speak, but in recent years, we’ve both relocated to other cities.
But there’s more to it than just nostalgia. While audiophile cork-sniffers shout out the virtues of vinyl or lossless FLAC from their rooftops, the humble 128 kbps MP3 is the true MVP of music mediums, the black sheep diamond in the rough with more than swagger and noise floor to go around. Here’s why.
Museum grants 2018
This is a two-part course series dedicated to sampling found sounds at home and turning them into all kinds of beats and tracks in Ableton Live. The first part is taught by Ableton Certified Trainer Brian Jackson, and concerns how to capture sounds using a simple microphone setup at home, and warp them into useable raw materials in Ableton. The second part follows famed YouTuber, beat maker, and educator Andrew Huang as he makes an incredibly compelling song out of nothing but sounds from a kitchen pot — and explains his process step by step on camera.
Kronendal Music Academy is a local music program aimed at engaging at-risk youth in the Hout Bay Valley of the Western Cape in South Africa. Located about 20 miles from the next nearest music school, they opened in 2007 to facilitate creative exchanges among the three distinct cultures native to the region. The academy provides quality instruction in diverse genres, instruments, and traditions.
If it weren’t for this music video (directed by Mark Kohr), there probably wouldn’t have been the success of the Offspring, Sum 41, or Blink-182. It encouraged a slew of youngsters to go out and get Fender Stratocasters (or knock-offs) and cover the darn thing with stickers. If it weren’t for Green Day, I probably wouldn’t have done the same thing as a young guitar player.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
The form here is seemingly as sparse as the accompaniment, and it’s just about the most “organic” thing I’ve seen so far in this study. After eight bars of verse, he introduces what will be the refrain lines (you really can’t call it a chorus because it’s only two lines over four bars). But then there’s a big stretch of verse at a non-standard, “just-feeling-it-that way” 36 bars, and then, just cutting this dough with his fingernails (as in, no pre-made cookie-cutter shapes), Drake gives us six bars of the “my head is spinning” sample, followed by, for some reason, only one of the refrain lines? Then there’s eight more bars of the sample and, following that, a mammoth verse section weighing in at 56 bars. To close it out, we get that refrain/sample combo again, but this time it’s punctuated with the first refrain line, and then the next line. Pretty innovative organization.
With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.
To find out which note is in Fret 8 on the 3rd string, we need to route it back to the same note an octave below on the 5th string. In order to do so, we move two frets back and skip one string (follow the green arrow). The resulting note is in Fret 6 on the 5th string, so D#/E♭.
“I set myself such problems as: What can I do with a single note? with its octave? with an interval? with two intervals?” He also added that “certain features of these problems and their solutions have something in common with the principles of serial composition.”
One such example of horizontal hemiola that follows a similar design appears in George Frideric Handel’s iconic “Alla Hornpipe” from his Water Music Suite No. 2. In the video below, the hemiola occurs about 13 seconds in. It’s easiest to notice this happening in the harmony voices, which switch from a 3 feel to a 4 feel, with quarter notes being momentarily grouped in sets of four and groups spreading across the bar line. Without changing time signatures, the pulse of the music momentarily changes, resulting in a perfect example of horizontal hemiola.
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