Okay, to really get your head around phase, we need to move beyond the on/off perspective we just outlined. Phase is quite literally a relationship of degrees. In other words, our “out of phase” sine wave has a 180° phase relationship to its mirrored counterpart. Were we to gently move our duplicate sine wave through all degree positions in the phase relationship, we’d encounter different degrees of cancellation, and therefore different degrees of amplification and attenuation — from silence to peak volume and everything in between.
Sometimes days seem to move just like a big fat man A
When I first discovered there was such a thing as “Music For Dogs,” I was kind of shocked I hadn’t come across it sooner. I mean, there is now music and playlists to accompany everything, so of course there’d be one for our favorite four-legged fur-balls (sorry cat lovers). Well, Mr. Puppy was in for a treat because over the next week I’d go on to try an array of made-for-dogs style playlists.
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In fact, any one item can be a costume: a funky, customized necklace, a big, bold hat, or even some sort of prop that helps you get into character on stage and channel a new identity. The one important thing to keep in mind is how everyone on stage interacts together visually; it’s essential to be unified somehow. If you have one person showing up in a suit, another dressed like a punk, and another wearing a neon bodysuit all you’ll be saying is that you don’t know what to say.
The archetype of the brilliant-but-jaded musician, beaten down and thwarted by life’s onslaught of challenges, is something we’ve all seen over and over again in popular culture. And that’s because it happens all the time in real life. Whether it’s a songwriter foolishly signing away the rights to their music or a promising band breaking up because of bad blood between its members, mistakes in music can be detrimental, but they are almost always avoidable in most cases.
When I started building the harmony, the changes ended up coming together pretty quickly. I jumped on my Rhodes to lay down some pretty standard F minor related changes, using the last bar of the phrase to take it a bit outside. For the harmonically curious, those turnaround changes are G♭ Maj7, D♭ Maj7, C Min7, and E Maj7(♭5).
The first is free-hand, which is to say that you record piano and vocals at the same time and even if they’re off tempo the two are synced together. It will sound more free and raw, but you’ll have a hard time syncing rhythmic elements and timed processing such as delay and reverb in a consistent manner. The second way is to record on grid, whereby you’ll record to a click-track to steady your tempo. In this case, it’s best to record one track at a time, but that doesn’t mean you can’t sing to yourself while you record your keyboard takes.
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You see, “Sorry” is written in E♭ major (a key that boasts the same number of flats as C minor, more on this later). This means E♭ major is the tonic or “home” chord, thus all of the melodic and harmonic content is being created from the E♭ Ionian (major) scale.
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You might have promising music and loads of enthusiasm, but none of that matters much when you’re on stage for the first time and don’t know what to expect. Building performance experience can also give you more confidence and credibility throughout the booking process, and you’ll thank yourself later.
Ischi’s website welcomes visitors with a video clip of him and the chickens as soon as you enter. He also has a new song out called “The Chicken and the Egg,” but it doesn’t seem to be streamable online — although you can hear a 30-second excerpt here.
Many microphones also feature built-in “roll off” switches, which filter out unused bass frequencies to prevent unwanted noise. Another common feature is a pad, which lowers the input volume of the microphone. This can be very useful when dealing with particularly boisterous speakers who tend to clip the microphone even at low gain levels.